Simultaneously
turning to both
the past and the
present, director
Duncan Roy bases
his film on an
earlier, more
explicitly gay
version of Wilde’s
story than the
one most people
are familiar with,
but transplants
the story from
19th century London
to modern-day
New York City,
the backdrop for
this tale of the
price one man
pays to retain
his youth above
all else.
Dorian
Gray (David Gallagher
from TV’s “7th
Haven”) is a strikingly
beautiful young
man whose wealth
allows him easy
access to Manhattan’s
art scene. Desired
by all, he captures
the attention
of artist Basil
Howard, who proposes
transforming Dorian
into his latest
piece of art.
Intrigued, and
seduced by the
artist, Dorian
consents. But
the perfection
captured in the
resulting video
installation portrait
haunts Dorian.
Purchasing the
portrait and hiding
it from the public,
no one is privy
to the grotesque
cruelty and decadence
its multiple screens
reveal over time,
while Dorian himself
remains untouched
through the years.
Even as his character
descends further
into depravity,
Gallagher projects
a carefully modulated
intensity that
makes Dorian a
seductive onscreen
presence.
-
Excerpted from
the Newfest 2007
film
festival catalog. |